Monday, 21 February 2011
Thursday, 17 February 2011
Baudrillard on "The King's Speech"

Thursday, 14 October 2010
Sunday, 8 August 2010
The Treadmill

A few months ago, I posted a piece on my other blog, Social Acceleration, discussing Hartmut Rosa's metaphor of the treadmill in relation to the acceleration to which we are subject in late capitalist societies. Recently I've been getting the chance to engage with Rosa's metaphor in a more corporeally committed way as I've started pounding one everyday in the university accommodation in which I'm staying. (It's surprising that nearly all the high towers in the centre of Leeds are devoted to student accommodation, making the student economy to Leeds what the financial economy is to London, both debt inflated bubbles waiting to burst- for the second time in the case of London). I was a little sniffy about Rosa's choice of metaphor, but having used one, I have to agree that it is emblematic of our digitised, decontextualised, abstracted post-industrial world.
There are certain obvious things, though no less important for that. The first is that, run as you might, you don't go anywhere. This is not in fact new with the treadmill, it's just been taken to a new level. A logical space was prepared for the treadmill as soon as people started running for an abstracted reason like exercise. According to Wikipedia, this can be traced back to the mid 17th century. If you go running for exercise, space is purely functional, in so far as it provides the resistance that you need in order to achieve your primary aim which is to get in shape. If that resistance can be provided mechanically, then space shows itself to have been inessential and can be dispensed with. That's not to say that space is irrelevant. Our bodies have adapted to specific environmental conditions over many millennia. Strange as it may seem, there is actually a continuum between the land, the flora and fauna that inhabit it, and our physiological composition. Our legs are made for walking and running across a savannah, our arms for reaching for fruit and our hands for grasping a branch, holding a bone and, latterly, fashioning a tool. The fact that people started feeling the need to exercise their bodies from the 17th century onwards shows how alienated people had already become from nature and their environment and so, coextensively, from their bodies (according to Baudrillard, the naming of nature was symptomatic of our alienation from it and its reworking as the environment, took this alienation to a new level- the same new level as the treadmill for that matter.)
Hence the treadmill can't simply ignore space; instead it seeks to simulate it. You can adjust the gradient and programme in a range of different terrains (in fact there are presets for that). But, of course, the simulation leaves out all that is inessential, such as space itself, the people you have to dodge, the streets you have to cross and the traffic you have to wait for. It pairs down the experience of running for exercise to its formulaic minimum. All pretense of context is abandoned, this is simply working the muscles which, given our sedentary lifestyle, would otherwise atrophy.
And of course there is so much more control. You can set the speed, and adjust it as you run, although I really don't know if it's mph, kph or some other unit of measurement peculiar to the machine. It doesn't seem to matter though- I start at 6, and build up to 9. In 20 minutes (I suppose they're minutes) I managed to do 20.2. My aim is to do 30. It really doesn't matter what 30 refers to, as long as it is internally consistent- and I'm reasonably confidant that it is.
An internally consistent system simulating reality, obviating the need for involvement in that reality such that reality is superseded by the simulation.
And what about that control? The treadmill certainly provides the illusion of control. Lots of presets, quick sets, options and monitors that will enable you to adjust speed and incline, monitor distance and heart rate and have it all displayed digitally while you are pounding away.
Well, yes there is control. There is control within the rigidly defined parametres provided by the machine. The point is that the machine and its parametres mediate the every aspect of the experience of running and the control that one has. In the same way that workers were obliged to adapt to the rhythm of machinery with the introduction of the factory system, so the treadmill obliges you to adapt to its rhythms. With the kickback that you can adjust its rhythms, you are offered options. However, the options are tightly circumscribed and, to repeat, your choices are mediated by the machine. Your choices are, effectively, functions of the machine. At which point it becomes unclear whether you are using the machine or whether the machine is using you. Especially if it is a gym where you are paying for the privilege of exercising the machines.
Does it matter? I guess not, except it seems to be a form that recurs again and again as our total dependence on virtual environments becomes more apparent. The old spatially and temporally determined categories in which human meaning and practice were traditionally played out are being replaced by streamlined, efficient, simulations. Like the ideal economy of Adam Smith, the awkward, contingent accidents of reality, the people you have to dodge, the idiosyncratic choices people make, are no longer allowed to interfere with the smooth functioning of the model. It is the model which sets the pace and we must adjust to its rhythm, taking comfort in the plethora of mediated options which it is only too pleased to concede to us.
Tuesday, 8 June 2010
Bilderberg Postscript

Saturday, 5 June 2010
Bilderberg Meeting in Sitges, Spain

Sunday, 30 May 2010
The Empathic Civilisation
I enjoyed this video on the empathic civilization a lot, which was posted at The Social Media Philosophy Project. It certainly made me want to believe, but he does leave out an awful lot.
Those same technologies that extend our central nervous system and bring us into contact with people from all over the planet condition how we understand and relate to those people. There may have been a big response to Haiti, but that’s because it was a clearly defined media spectacle that lent itself to an out-pouring of generosity. A timely counter balance to that example is the fact that that in the Niger Delta in Africa, the aging oil infrastructure bleeds the same volume of oil annually into the Delta as has been spilled into the Gulf of Mexico over the past few weeks. The effects on the inhabitants, whose lives are already desperately precarious, has been devastating. I haven’t seen much empathy flowing from Europe or America for these people. Sure if it was prioritized by the traditional media in a very focused and coordinated way, there may be a trickle of empathy, but even so that would remain just an instance of a global inequality so widespread, pervasive and structural that people’s patience with it would soon wear thin.
I’m not much more optimistic about the social media. In the first place I don’t believe they can organise information and set the agenda in the same way as the traditional media. Secondly, and more importantly, given that most people have never used a telephone, let alone coolly surfed the social networking sites, the world simply doesn’t correspond to the geographically proportionate sphere that the fantastic cartoonist drew. If you were to draw a spatial representation of the globe based not on geographical space, but internet usage, Africa would be all but invisible. As Manuel Castells pointed out in his “the Gutenberg Galaxy” the new technologies create a networked world which, in fact, has a far greater tendency to exclude those who are not connected.
So, while I don’t disagree with the fact that our technologies and media transform our perception of the world and sense of community, I would take issue with naively optimistic assumptions about the spread of empathy. As things stand I think technological narcissism is closer to the mark.
Thursday, 20 May 2010
Give unto Caesar...

Thursday, 13 May 2010
Thursday, 6 May 2010
We Just Don't Get It
“They just don’t get it” God that feels good to say. It’s so self-affirming, withering and self-righteous. It doesn’t matter if you stress the word ‘just’ thus creating steps with the subsequent words that descend to the level of the target’s idiocy “you just don’t get it”, or if you stress don’t and so create a beacon of self-righteous indignation right in the middle of the phrase- “you just don’t get it”. It’s intended to be a devastating put down from which no recovery is possible. The implication is that the dull-witted klutz is still clinging to a state off affairs that everyone else recognises has been superseded. The paradigm example must be the Hollywood scene in which a coolly distant wife is arranging spices on the spice rack while the hapless husband is fussing around her proposing dates and places for their vacations that summer. Suddenly she turns to face him for the first time in the scene and hisses “you just don’t get it, do you? It’s over between us”. A complete rupture of the old state of affairs, that had become transparently unsustainable, held together only in order to provide a veneer of continuity. Only the wilfully ignorant could have failed to recognise the artificiality of the reality that has now been expelled and hapless husband is propelled, confused and disorientated, into the new reality.
It can’t be any coincidence that the phrase seems to be everywhere these days. Obviously it’s been around for ages, but I believe that the phrase first came to be used as a rallying cry for ‘ordinary people’ in the wake of the financial crisis, when it became clear that the banking sector had no intention of reducing the amount of value they skimmed off the capital markets in the form of bonuses. There was public anger at the irresponsibility of the banking sector and this phrase got touted from time to time, but it didn’t really catch on at this point. I think this is because, although the appeal of this phrase made itself felt- certain requirements for its effective use were missing. Principal among these is that the person who delivers the phrase must be in a position of power. They must see and understand the irreality that the other person is floundering around in and therefore be capable of dispelling it with delivery of the phrase. Hapless husband was in no position to shoot back with, “No, it’s you who doesn’t get it.” Although they would never say it, the bankers were. They could say that, for reasons that the self-righteously indignant public could hardly be expected to grasp, the economic well-being of the country was tied to them paying themselves obscenely high bonuses. Whilst the public could mutter its dissent- it couldn’t, with self-confidence, contradict them. The wind would have been taken out of their sails and they would be left to bob around once more on the big sea of their impotence.
Saturday, 1 May 2010
Of the Tribe and the Worm

I think it’s twofold. I think it’s the modern articulation of a far more ancient attitude that evolved to regulate the individual’s relation to the tribe. Guilt, in this sense, would be more than just a sensation. It would be the existential equivalent of having the rug pulled from under one’s feet. You are who you are by virtue of the place you hold within the tribe. To act without reference to the tribe is to forget yourself. Guilt is remembering. In The Big Kahuna Larry reprimands Bob for not serving the interests of the company in similar terms,
“…it would be like the hand just sort of breaking away from the arm and saying, ‘Oh, you know what, I’ve got this other thing out here to do that’s got nothing to do with you.’”.
He says this to try and induce in Bob the guilt that he thinks he should be subject to.
This older sense of guilt provides the conditions for the possibility of a more recent version of this guilt, which relates to ‘being a good citizen’. Whilst I guess this attitude could be traced back to Athenian democracy, the form it takes in contemporary society is more related to the 19th and 20th century struggle for the right of ordinary people to be represented in the political process and the emergence of a representative democracy that is not conditional upon class, gender or religious conviction. This is a powerful argument, not least because the right to vote was truly the fruit of bitterly fought battles against institutionally embedded vested interests. Consequently to not vote represents an affront to the historical struggle of those who were previously disenfranchised, ignored and oppressed. The guiding phrase here is, “people laid down their lives to win you the right to vote”. So, one has every reason to feel guilty if your forefathers struggled so hard and sacrificed so much in order to guarantee the right to vote.
Yet… it presupposes a model of society in which the political process is the stage upon which competing interests in society are pitted against one another, a representative swath of opinion is expressed and real decisions are made. I don’t think anyone watching, or even participating in, the unfolding drama of the election could claim that this is the case. What is striking is that it is no longer left to flamboyant French philosophers to point out the virtual nature of the political process. Everyone is well aware of the fact that what we are witnessing is a simulation of politics. There is little interest in the content of what the politicians are saying. Apparently the press core in the press centre stopped watching the final debate long before the politicians had finished speaking in order to move on to the real business of getting reactions, in other words, allowing the process of spin and counter-spin to play out and see where the dust settled. I’m sure the pubic, equally, is more interested in finding out who was perceived to have won the debate, as that clearly matters a lot more than anything that anyone says.
At the heart of it all this time round has been “The Worm”. During the debates, groups of floating voters are equipped with dials with which they can register their response (positive or negative) to the speakers, moment to moment. You can actually see the data displayed across the screen, like a heart monitor following the strength of a patient’s heartbeat, as they are speaking. The politicians are, in turn, compelled to submit to the configurative requirements of the formats within which their messages are assembled. Little wonder that they spend the time shamelessly flattering the viewers. This was most embarrassingly obvious in the summing up of each of the party leaders. It’s not their fault, they have no alternative. Were they to engage seriously with the potentially catastrophic consequences of the operations of the global financial markets or consider the ethical implications of Britain’s involvement in two wars that have left over 100,000 civilians dead, they would flat-line. On the other hand, seeing as it's the format that matters, it shouldn't have been so surprising that support for the Lib Dems shot up as soon as they were included in the debates. I don't think it had much to do with what Clegg said, but rather that we were being presented with three contestants to choose between rather than two. Clearly if a contestant is prevented from having a prominent role in a reality TV show, it is unlikely that the public will vote for them.
It seems to me that within this context, and following Baudrillard, voting has less to do with playing an active role within the body politic than with participating in a nation-wide simulation of democracy designed to obscure the fact that democracy has long since disappeared. It is important to vote, in order maintain the illusion that voting, and the political system, and the historical narrative which supports that system of politics, that all these things are still meaningful. However the democratic process has clearly freed itself of any relation to such weighty realities and entered the realm of pure simulation, or simulacra to use Baudrillard's term, more closely related to reality TV shows than to prior historical conditions. And we have a lot invested in this simulacrum. We still feel the tug of the tribe. In a fractured and dysfunctional world, it would seem that a simulation of community is better than no community at all.
Thursday, 22 April 2010
Of Ash and Time Theft

I haven't seen the film, but I don't doubt the queasy, sense of repressed euphoria that must surely accompany the sight of Charlton Heston sinking to his knees as it dawns on him that civilisation has indeed sunk. A messy, trifurcated species of emotion; part unselfconscious elation, part rapid readjustment to the demands of social necessity and part ironic snickering at the overblown earnestness of the denouement. Yet still, there it is. Presented with one of the symbols of civilization being reclaimed by the sand and the ocean, our initial response is to cheer. The scenario is not restricted to its representation in film (although the relentlessness with which it is represented in film is instructive).
As clouds of volcanic ash spread invisibly through the troposphere last week, threatening to disrupt the minutely calibrated workings of aircraft engines, so all air traffic was suspended, causing massive disruption to the minutely calibrated workings of the transport system. People found themselves in the extraordinary position of being unable to complete their travel plans. No delays, no alternative routes, not even alternative forms of transport- short of walking- they just couldn't travel. Imagine the moment at the airport when passengers (were they passengers at that point?) were informed that they couldn't fly; the dumb disbelief that they were not being offered a range of alternative options for traversing the thousand or so kilometres that separated them from the places they Needed To Be. Even hard cash didn't help- there were no hire cars left.
Grim for those caught up in it, but for those of us vaguely registering the fragments of information as they flitted across our various screens, I suspect that concern for the suffering of the stranded travelers was not really the dominant feeling. I imagine that there was a good deal of surprise that something as mundane as a volcano could actually interfere with the flight schedules of European airlines. Only a massive terrorist attack had previously achieved this- were we to add volcanoes to the list of evil-doers? But wasn't there also some, not schadenfreude, but a certain pleasure in seeing a spanner thrown in the smooth functioning machinery of transnational transport systems?
Why would that be?
Because they reflect so perfectly the extraneous imposition of temporal structures to which we have both chosen to submit and against which we inwardly rail because we know full well that there was never really any choice. It's a colonisation of time that only reveals itself in extemities- on drugs, in moments of joy or anxiety, when confronted with our mortality. I suppose this has always been the case, that we have always, in a sense, been living on borrowed time. Perhaps in a far more entrenched way when we had less options and identified unreflectively with the roles and temporal structures in which we found ourselves. But that's the point. What is different now is that we are both subject to an accelerated rhythm as we become keenly aware of minutes and seconds, whilst simultaneously being prevented from developing any stable, durable identifications.
Why wouldn't we cheer when the system jams?